A arte também é economia?

A Arte como Bem Económico: 

 Heffetz, O., & Frank, R. H. (2011). Preferences for Status: evidence and economic implications. in Handbook of Social Economics (vol. 1, pp. 69-91). North-Holland. 

 Michael Schneider (2007) The Nature, History and Significance of the Concept of Positional Goods, History of Economics Review, 45:1, 60-81, doi: 10.1080/18386318.2007.11681237 

 W.J. Baumol and W.G. Bowen (1966). Performing Arts - The Economic Dilemma. A study of problems common to Theater, Opera, Music and Dance. New York, The Twentieth Century Fund. 

 Veblen, T. (1899). The Theory of the Leisure Class. Oxford University Press. 
 

O Mercado da Arte: 

 Fraiberger, S. P., Sinatra, R., Resch, M., Riedl, C., & Barabási, A. L. (2018). Quantifying Reputation and Success in Art. Science, 362(6416), 825-829. 

 Resch, M. (2021). How to Become a Successful Artist. Phaidon. 

 Abbing, H. (2008). Why are Artists Poor?: the exceptional economy of the arts (p. 368). Amsterdam University Press. 
 

Uma Perspetiva Económica sobre a Música: 

 Krueger, A. B. (2019). Rockonomics: a backstage tour of what the music industry can teach us about economics and life. Currency. 
 

 Talento, Sorte ou Influência?: 

 Salganik, M. J., & Watts, D. J. (2008). Leading the herd astray: An experimental study of selffulfilling prophecies in an artificial cultural market. Social psychology quarterly, 71(4), 338- 55. 

 Goldin, C., & Rouse, C. (2000). Orchestrating impartiality: The impact of “blind” auditions on female musicians. American economic review, 90(4), 715-741.